Four Poems by Tom McCauley

Tom McCauley

Tom McCauley

Tom McCauley is a writer, musician, and arts administrator living in Omaha, NE. In 2011, he received a studio fellowship from the Union for Contemporary Art and was nominated for a Pushcart Prize in 2008. From 2007–2012, he co­edited Strange Machine poetry journal and Strange Machine Books. His poetry has been published in The Oyez Review and Leveler PoetryHe is currently working on a book, Street Life Fragments, with photographer Sam Herron.

The Tree May Die, Yet the Shadow Remains

Once highly prized among the pioneers of light,
the hours now lean heavily toward the ground.

The sky is brighter in old photographs
because the air was thicker—poor optics

from a ruined lens could account for this,
but the air was thicker, it could hold things

for a moment: grown men
strapped to pterodactyl wings,

the morning moon in its upturned face.
Long ago, cameras conquered dust.

A woman saw herself as others see her,
not in a mirror, but staring straight out into the world

like a lioness, queen of all Ohio.
Tonight her skeleton fosters a subterranean civilization:

microbes, complex worms, decay.
But the ambrotype in her descendant’s attic

is poised as ever to ravage the industrial age,
(in that room, it is always noon) thank you, chemistry.

First Date with the Moon 

In California, I was made 
to trace the moon 
for sixth-grade science class.
The lunar phrases I repeated 
under my breath as we 
visited the ocean and Disneyland, 
where a sour mood assailed me, 
created a cloud of suspicion
around our tribe. “He's so...sullen,” 
somebody's uncle told mine. 
You must wait two hours 
to ride the future cars, 
which last ninety seconds.
Once part of earth, the moon 
roars whitely in the night 
vacuum, so angry
you can’t make friends with it, 
nothing like the soft piano tunes 
you imagine on a first date (with the moon).
Soon, my notebook filled 
with black scratches of crescents
and half-circles. I desired pancakes.
The moon parted the curtains 
late one night to insult me. 
“Fatty,” it taunted. “Fatty fat.”  
I woke up weeping, remembering something
sand-flavored Grandma had said 
on a drive through the mountains.
“What's Tom gonna do?” she waxed.
“Nothing. Nothing!  He'll have to go out 
and get a job, just like his mom.”
Fifteen hundred earth miles 
from the Trans-Mississippi 
and International Exposition, 
or home, as we called it in the hinterlands, 
I made a great crying noise 
like the teenagers from Colorado 
on TV that week, who’d been shot 
during Astronomy lab. 
The next bed over, my aunt pretended not to notice. A travel agent, 
she’d glimpsed the moon 
from every time zone, even China, 
and said it’s nothing 
to lose sleep over. It will always be there.

The Cloudinator

We were the family that invented tornadoes.
Everyone looked to us for piano lessons, 
Kool-Aid, moral support, etc. Our trees
glowed better than anyone's. No radios
hanging on wires from upstairs windows,
no overturned laundry baskets 
in the driveway, just a backyard 
full of grass and holiday lights
all year. Time and weather moved us
to create a vortex from the sky
that would sincerely fuck the world.
It was a genetic affair, John drawing 
blueprints adorned with equations 
and photos of his ex-girlfriend 
with her new Moroccan lover,
me trying to think of a name for our project
on which to launch a revolutionary ad campaign.
The Cloudinator? The dancing circus funnel?
Nothing stuck. Of course, we couldn’t know 
the destruction we would unleash 
upon Nebraskan roads. In retrospect, 
how could we not?  We were a family
blinded by gratitude and respect
for one another and our place 
in the neighborhood. We were slumped 
over our dinner plates one night
when I thought up the name.

Gatekeeper's Last Words

As a child I stuck my head
in bags of dusty toys
to smell the disassembled cities.

What dreams of nightmares wakes
to night milk on the stairs,
where belladonna tendrils

draw documents from my shoulders.
Echo, you were my Letter Horse
for an afternoon. We sang delicately

in a bottle of fireflies.
Do you think God will keep my gate
safe from elephants like me?

All day devouring conundrum pie
down dark furnaces of bronze & lye,
I'd make your grandma flip the Jesus

hologram toward the wall.
I couldn’t stop screaming.
Please rewind the sunlight cassettes,

Mrs. Richardson. I want to leave
a garden in your knapsack.